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Marston, KM. (2017). Rev. of The New Woman’s Film: Femme-Centric Movies for Smart Chicks, by Hilary Radner.. Australian Feminist Studies. 32(93), 347-349
[Book Review]Authored by: Marston, K.

Marston, KM. (2017). Celebrity Pedagogy and Performative Humility: Interrogating History through 'Quiet Charisma'. Celebrity Studies.
[Journal article]Authored by: Marston, K.

Marston, KM. (2016). The World is Her Oyster: Negotiating Contemporary White Womanhood in Hollywood's Tourist Spaces. Cinema Journal. 55(4), 3-27
[Journal article]Authored by: Marston, K.

Marston, KM. (2016). Bedknobs and Broomsticks: The Magical Manipulation of Dress and the Heritage Object in the Service of Wartime Fantasy. Film, Fashion & Consumption. 5(2), 219-233
[Journal article]Authored by: Marston, K.

Marston, KM. (2015). Rev of The Souls of White Folk: African-American Writers Theorise Whiteness. Critical Race and Whiteness Studies. 11(1)
[Book Review]Authored by: Marston, K.

Marston, K. (2021). Hating Meghan Markle: Drawing the boundaries of British whiteness against postfeminist femininity. In S. Hunter, & C. van der Westhuizen (Eds.) Routledge Handbook of Critical Studies in Whiteness.
[Chapter]Authored by: Marston, K.

Marston, KM.(2018). Postfeminist Whiteness: Problematising Melancholic Burden in Contemporary Hollywood Cinema. : Edinburgh University Press
[Authored Book]Authored by: Marston, K.

Marston, KM. (2017). Postfeminist Whiteness: Problematising Melancholic Burden in Contemporary Hollywood Cinema. (Doctoral Thesis, University of Queensland, Australia)
[Doctoral Thesis]Authored by: Marston, K.

Marston, KM. (2017, July). The Virgin Suicides: Race Privilege and the Commercial Appeal of Sofia Coppola's Melancholic Aesthetic. Presented at POPCAANZ. 黑料网.
[Conference Oral Presentation]Authored by: Marston, K.

Marston, KM. (2015, July). The Grand Delusion of Aspiration: How Blue Jasmine Explores the Limitations of Neoliberalism's Competitive Logic through Gendered Class Violence. Presented at EuroMedia. The Thistle Brighton.
[Conference Oral Presentation]Authored by: Marston, K.

Marston, KM. (2014, December). Postfeminist Ambivalence and Post-Racial Fantasies: Problematising the White Woman's Burden in Contemporary Hollywood Cinema. Presented at Australian Critical Race and Whiteness Studies Association Conference. Pullman Brisbane.
[Conference Oral Presentation]Authored by: Marston, K.

Marston, KM. (2014, September). Neoliberalism, Female Agency, and Conspicuous Consumption as Tragic Flaw in Woody Allen's Blue Jasmine. Presented at WiP Conference. University of Queensland.
[Conference Oral Presentation]Authored by: Marston, K.

Marston, KM. (2014, February). Female Melancholia on the Contemporary Cinematic Screen: Implications for a Politics of Gender and Race. Presented at Try Walking in My Shoes: Empathy and Portrayals of Mental Illness on Screen. Dax Centre, University of Melbourne.
[Conference Oral Presentation]Authored by: Marston, K.

Marston, K., Taua, A., Hartendop, K., Moewaka Barnes, H., Eich, E., Yessilth, S., . . . Walker, B. (2018). Cultures of Capitalism. (pp. 667 - 831). Taylor & Francis Group
[Other]Authored by: Marston, K., Moewaka Barnes, H.Edited by: Huffer, I., Marston, K., Taffel, S.

Marston, KM. (2016). Postfeminist Melancholia as Politically Conditional? Postscript to The World is Her Oyster. : Society of Cinema and Media Studies
[Internet publication]Authored by: Marston, K.