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Rogers, I., Carter, D., Morgan, BA., & Edington, A. (2022). Diminishing Dreams: The Scoping Down of the Music NFT. M/C Journal. 25(2) Retrieved from https://journal.media-culture.org.au/index.php/mcjournal/article/view/2884
[Journal article]Authored by: Carter, D.

Carter, D., & Rogers, I. (2021). Black Flag’s My War Side Two: Cultural and Aesthetic Legacies in Studio Recording. Popular Music and Society. 44(4), 438-450
[Journal article]Authored by: Carter, D.

Ballico, C., & Carter, D. (2018). A state of constant prodding: live music, precarity and regulation. Cultural Trends. 27(3), 203-217
[Journal article]Authored by: Carter, D.

Carter, D., & Whiting, S. (2016). Access, Place and Australian Live Music. M - C: A Journal of Media and Culture: (Media and Culture). 19(3) Retrieved from http://journal.media-culture.org.au/index.php/mcjournal/article/view/1085
[Journal article]Authored by: Carter, D.

Carter, D. (2014). Sketching the Lao Music Industries. The Malaysian Music Journal. 3, 32-47 Retrieved from http://ecite.utas.edu.au/94004
[Journal article]Authored by: Carter, D.

Ballico, C., & Carter, D. (2021). Music cities, or cities of music?. In Researching Live Music: Gigs, Tours, Concerts and Festivals. (pp. 199 - 211).
[Chapter]Authored by: Carter, D.

Carter, D., & Milk, T. (2023). Voyager. (Recorded Work)Independent
[Composition]Authored by: Carter, D.

Carter, D., & Solo, O. (2023). Looking Out. (Recorded Work)Independent: Spotify, Apple Music, Youtube, etc.
[Composition]Authored by: Carter, D.

Carter, D., Howe, B., Davenport, H., White, S., Appleyard, F., & Gill, B. (2021). 39 Days - King Fish. https://open.spotify.com/track/5XSYHdkCngYo7thooP4kEw
[Composition]Authored by: Carter, D.Contributed to by: Carter, D.

Kelly, T., Clark, D., Perry, B., Holton, F., Carter, D., & Howe, B. (2020). Fastest Man on the Pitch - STINK.
[Composition]Authored by: Carter, D., Howe, B.Contributed to by: Carter, D.

Carter, D., & Encarnacao, J. (2020). Wooden Box with Strings.. (Recorded Work)Half a Cow Records: https://johnfernando.bandcamp.com/album/wooden-box-with-strings
[Composition]Authored by: Carter, D.

Carter, D., Rogers, I., & Morgan, B. (2023). Between Two Webs: Australian Music and NFTs.
[Commissioned Report]Authored by: Carter, D.

Carter, D., Hoad, C., Wilson, O., & Wilson, J. (2022). Barriers for women in creative technology tertiary training in Aotearoa.
[Commissioned Report]Authored by: Carter, D., Hoad, C., Wilson, O.

Carter, D., Hoad, C., & Muller, P. (2020). The Economic and Cultural Contributions of the Small to Medium Theatre Sector in the City of Sydney, 2018-19.
[Commissioned Report]Authored by: Carter, D., Hoad, C.

Carter, D., & Hoad, C. (2020). Summary and Comparison: The Economic and Cultural Contributions of select creative sectors in the City of Sydney, 2016-2020.
[Commissioned Report]Authored by: Carter, D., Hoad, C.

Smith, C., Frieling, M., & Carter, D. (2019). Estimating the value of Culture:Research report prepared for the Ministry for Culture and Heritage. K艒t膩t膩 Insight.
[Commissioned Report]Authored by: Carter, D.

Carter, D.Developing Regional Music Scenes. . Manchester
[Conference Other]Authored by: Carter, D.

Carter, D., & Hoad, C. (2023, July). Gendered Barriers to Creative Tech Training. Presented at ANZAAE
[Conference Oral Presentation]Authored by: Carter, D., Hoad, C.Contributed to by: Carter, D.

Carter, D., Hoad, C., & Wilson, J.Gendered Barriers to Creative Tech Training. . Wellington
[Conference Paper]Authored by: Carter, D., Hoad, C.

Carter, D.DIY dreaming: a prehistory of music nfts and web3. . Brisbane / Porto
[Conference Paper]Authored by: Carter, D.

Carter, D.A Swung Dembow and a Triangle Wave.. . Wellington
[Conference Paper]Authored by: Carter, D.

Carter, D., & Hoad, C. (2023, September). Live Music Recovery: Reflections on the Aotearoa Experience. In RMIT University and Australian Music Industry Stakeholders.
[Oral Presentation]Authored by: Carter, D., Hoad, C.Contributed to by: Carter, D.

Carter, D. (2018). Snoop, Dre, Cypress Hill: How hip hop went mainstream and embraced weed in the 1990s: Interview with Paul Donoughue.
[Other]Authored by: Carter, D.

Carter, D. (2015). Re-emergence of cassettes as a music consumption format.
[Other]Authored by: Carter, D.

Carter, D. (2015). First half hour - 13th August, 2015. Illegal firearms, live music & swooping magpies.
[Other]Authored by: Carter, D.